Japanese plate

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A visit to an antiques fair yesterday prompted me to finish this thought…

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Japanese plate, 18th century. Called Imari-ware after the export port, but most likely made in kilns in Arita. Probably exported to Europe by a Dutch trading company in the 1700s, maybe before Chinese kilns came back into serious export production at the start of the Qing dynasty. A pretty standard object of it’s time and likely one of hundreds of thousands similar. A thing of vague origin and provenance. Now prized for it’s longevity and handmade aesthetic.

I love these objects, but I’m also very aware that the handmade artistry I so admire obfuscates the likely realities of it’s production.

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Another 18th century plate, this time Chinese. This sublime scholarly landscape (there are many tropes in this image) suggests a calm artistic hand, working in peace and with the luxury of time. The reality is likely very different. I am fetishising the labour inherent in these objects.

I need to remember that “making” is culturally specific and isn’t always cool.

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